Tag Archives: GSCA

SITE UPDATE: Farewell to the Kinotech Blog

The final Kinotech Blog post will appear on Thursday.  It will be about Star Wars.  It will be about IMAX.  It will be about Star Wars being in IMAX.  And it will mostly be about Star Wars NOT being in … Continue reading

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PRESS RELEASE: Giant Screen Cinema Association announces 2011 Award Winners

September 21, 2011—The Giant Screen Cinema Association (GSCA) presented its annual Achievement Awards tonight at the GSCA International Conference and Trade Show, hosted by the Bob Bullock Texas State History Museum in Austin, Texas. The awards, sponsored by Technicolor, are … Continue reading

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3D Entertainment Press Release on “Air Racers” GSCA Screening

press release Sept. 19, 2011, 7:06 p.m. EDT 3D Entertainment Distribution Unveils “Air Racers 3D” at Giant Screen Cinema Association’s Annual IMAX Conference Film documenting the Reno National Championship Air Races will open at IMAX theatres in the US on … Continue reading

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Giant Screen Filmmaking When Disasaster Strikes

This past Saturday, I was scheduled to spend the day in Reno, Nevada with a broadcast crew filming the famed Air Races.  Those plans were canceled on Friday when a P-51 Mustang flying at hundreds of miles per hour veered off course and … Continue reading

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News From Futuroscope

  Fresh on the heels of the new Arthur 4D Adventure, which replaced Race for Atlantis, Parc Futuroscope in Poitiers, France, is about to revolutionize the 4D experience yet again.  This time, instead of having an audience sit for the … Continue reading

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30 Days of 3D: DAY 18

Some of the first live action films to undergo partial or complete 2D to 3D conversion were in the giant screen format.  These included James Cameron’s “Aliens of the Deep” Tim Liversedge’s”Roar: Lions of the Kalahari” Toni Myers’ “Hubble” Brett … Continue reading

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Reactive or Proactive

CinemaCon (the new version of ShoWest) is upon us this year and among its various attendees are producers and distributors of giant screen films. They’re here to look at new digital technologies going into conventional cinemas and to discuss with … Continue reading

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